BISEXUAL SADNESS is about what it sounds like. Faye is getting married to a man, and though she really truly loves him, she wishes he was a woman. She’s not a closeted lesbian. She’s just sad that she’ll have to fight harder to be part of the queer communities she’s always found home in. BISEXUAL SADNESS is about the specific loneliness of being a bisexual woman in love with a man, while staring down the barrel of a lifetime of feeling that way. It takes the meme of the “Sad Bisexual” and treats it with curiosity and respect to interrogate questions of belonging, identity, cultural migrations and kinship. It poses the question: “why do so many people seem to find bisexual women so irritating?” and dares you, the audience, to answer.

HIGH MAINTENANCE by Peter Ritt – An unfairly disgraced actor makes her comeback in Ibsen’s “A Doll’s House” – opposite a robot that may bring about the end of the acting profession. “High Maintenance” raises questions about the relationship between art and AI, and how the status quo can turn both against each other, but really, it’s just funny. After all, a robot built to act is “the product of theatre and big tech, an ego is inevitable. WORLD PREMIERE!