The Word: Whiskey & Hooch by Carlos Lacamara
Monday, October 26th at 7:30pm
featuring:
Eric Ramo+
Tickets are “Pay What You Can” at the door or can be reserved ahead of time with a suggested donation here.
Bud – Carlos Lacamara*+
Barry – Steven Porter*
Julie – Stephanie Erb+*
Kashton – Eric Ramos+
Casting Director/Stage Directions – Horecee St. Cyr*+
*denotes member of Actors Equity Association | + denotes Road Theatre Company member
Carlos Lacamara has appeared in The Totality of All Things, Scintilla, Reykjavik, The Spanish Prayer Book, and Nowhere on the Border at The Road Theatre. Recent film and television credits include Barry, Four Good Days, The Shrink Next Door, The Good Doctor, Suits, Mighty Med, and The Garcias. As a writer, his plays Becoming Cuban, Havana Bourgeois, Exiles, Nowhere on The Border, and Cuba Libre have been produced in New York, Los Angeles, Miami, and Portland. The Theatre of Note produced his most recent play, Tune In, which won a Stage Raw Distinguished Production Award. He also wrote a novel, Eliza and the Alchemist—available on Amazon. It’s good. Buy it.
Danny Bernardo is a new company member of the Road who participated in SPF 17 (director: Losing Face, actor: End of the Century) and is currently the “Goliath” alternate in KAIJU. Writing credits include Mahal (world premiere: Bailiwick Chicago), Fuck My Life (Hollywood Fringe Festival, Encore Award), commissions from the Gift Theatre and Broken Nose Theatre, multiple sketches as a former member of Stir-Friday Night and Cupid Players, as well as the short films Jerky (screenings: Cannes, Court du Metrage, OutFest Fusion, Reeling), Little You (screenings: Perth International Queer Film Festival), and the forthcoming Empathica (co-written and directed by Taylor Bibat Lee). Notable acting credits include originating the role of “Joe”in the world premiere of Lauren Yee’s Young Americans at Portland Center Stage/Pittsburgh Public Theatre, “Harry Bright” in Mamma Mia! at McCoy Rigby/La Mirada, “El Gallo” in The Fantasticks at Ruskin Group Theatre, and “Dan” in Wally World at Steppenwolf. He has worked with such theatres as Goodman, About Face, Notre Dame Shakespeare Festival, Porchlight Music Theatre, Musical Theatre West, Coeurage, and East West Players (where he is a teaching artist). He is the founder of Broken Token Productions and a stakeholder with Back Room Shakespeare Project LA. Training: Columbia College Chicago, Second City Chicago, American Conservatory Theater. www.dannybernardo.com | @thatdannyb
Setting:
Hollywood, present day
The Play runs approximately 90 minutes with no intermission